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When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "I don't see how it could take any one long," says Rodney. "That is a pretty verse," she says, quietly. "But I do not know the poem. I should like to read it.".
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"No? did it?" says Nolly, sentimentally. "How—how awfully satisfactory it is to know we both thought alike on even one subject!" It is told also that the creator made people and animals at another place, and in another way. At the Porcupine Mountains he made other earthen images of people, and blew breath on the images, and they became people. They were men and women. After a time they asked him, "What are we to eat?" Then he took more earth and made many images in the form of buffalo, and when he had blown on them they stood up, and he made signs to them and they started to run. He said to the people, "There is your food." After a time the old man decided to do this, and he gave the young man his daughters; and because these three were his only children he gave his son-in-law his dogs and all his property, and for himself and his wife he kept only a little lodge. The young man's wives tanned plenty of cow skins and made a big fine lodge, and in this the son-in-law lived with his wives. The reproachful ring in his voice does its intended work. The soft heart throws out resentment, and once more gives shelter to gentle thoughts alone. She even consents to Rodney's laying his cheek against hers, and faintly returns the pressure of his hand..
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